![]() ![]() 47 (Chicago: Art Institute of Chicago, 2023). Byrd, Elizabeth Siegel, and Carl Fuldner, pl. Witkovsky et al., “The Art Institute of Chicago Field Guide to Photography and Media,” eds. “The Art Institute of Chicago: The Essential Guide.” Art Institute of Chicago. Sharp, Robert V., Elizabeth Stepina and Susan E.2005.“ ‘Treated by Steichen’: The Palladium Prints of Alfred Stieglitz.” Art Institute of Chicago Museum Studies, vol. ![]() “The Art Institute of Chicago: The Essential Guide - Revised Edition.” Art Institute of Chicago. “Treasures from The Art Institute of Chicago.” Hudson Hills Press, Inc. The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Made 1919 Medium Palladium print Inscriptions Unmarked recto inscribed verso, lower right, in graphite: "Ch / OK 3 B" Dimensions Image: 24.4 × 19.4 cm (9 5/8 × 7 11/16 in.) Paper: 25.1 × 20.3 cm (9 15/16 × 8 in.) Credit Line Alfred Stieglitz Collection Reference Number 1949.745 IIIF Manifest Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status Currently Off View Department Photography and Media Artist Alfred Stieglitz Title Georgia O'Keeffe-Hands and Thimble Place United States (Artist's nationality:) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. When these serial images are viewed as a whole, they portray the essence of O’Keeffe’s many different “selves.”įor more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection. What resulted is a “composite portrait” of the painter, in which each photograph, revealing her intrinsic nature at a particular moment, can stand alone as an independently expressive form. The essence of O’Keeffe, he felt, was not confined to her head and face alone equally expressive were her torso, feet, and especially her hands, as seen here. In a search for objective truth and pure form, the innovative photographer took some five hundred photographs of O’Keeffe between 19. Georgia O’Keeffe, who became Stieglitz’s wife in 1924, was among the progressive American artists whose work he also exhibited at 291. The most influential of these, the gallery known simply as 291, operating from 1908 until 1917, introduced the work of such leaders of the European avant-garde as Paul Cézanne, Henri Matisse, and Pablo Picasso. He founded an exhibiting organization, the Photo-Secession, then the periodical Camera Work, and finally a series of galleries. Alfred Stieglitz campaigned throughout the first half of the twentieth century to legitimize photography and modern art. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |